Showing posts with label kassaf. Show all posts
Showing posts with label kassaf. Show all posts

Tuesday, August 16, 2022

STRESS - Rhoma Irama X Deadwate

 





DEADWATE



From sun up to sun down DEADWATE lives and breaths they’re own unique style of Hip Hop. The three-man team’s steady rise up from the underground over the past 15 yrs is due to their determination to demonstrate and control their own destiny and be heard. As more and more discover the group via their Downloadable MP3’s a genuine respect grooms on a daily basis from fans and fellow artists alike. The appeal is far more then razor sharpness of the hooks or the skillfully crafted high energy beats of dj Tes, it’s the Iconoclastic aura that surrounds DEADWATE that is Compelling listeners attention. They refuse to fall prey to the trappings of the unchanging cookie cutter falseness that becomes more and more predictable in Hip Hop music. Our Reality and Mister Louiee don’t follow trends they stand alone together with high energy lyrics that cover the gamut of real life experiences about growing up and staying true, all delivered with a heavy dose of venomous wit and mesmerizing catchy cadences. Past radio releases have played on Stations in New York, Chicago, Ohio, Hawaii, Syracuse, Kansas City, Miami, Orlando, Mississippi, Atlanta, Oakland, Seattle, Dallas etc. and proves that many of the DEADWATE song’s can hold their own on College and Commercial Radio. With the internet wide open DEADWATE is looking to expand their fan base Rapidly, By promoting their song’s on CD baby, Itunes, Reverbnation and performing live in small venues across the country. When doing full shows we perform with a drummer, keyboard player and back ground singers This is old school with a little new school style hip hop. We make Turn it up Music you gotta play our tracks Loud like Rock N Roll DEADWATE has performed with such acclaimed acts as UnKasa, Seth Marcel, JusOne, Taj Mahal, Fat Joe, Jim Jones, Hell Rell, Dip Set, Gym Class Hero’s The Coup, Naughty by Nature, Dougie Fresh, and Many different Local artist across the US. You can contact them at Deadwate@gmail.com

 

 

RHOMA IRAMA




Raden Haji Oma Irama (born December 11, 1946, in Tasikmalaya, West Java), known as Rhoma Irama, is an Indonesian dangdut musician, singer, songwriter, and actor.
Starting from the late 1960s, he began his musical career as Oma Irama as a part of the pop band Orkes Melayu Purnama, pioneering several dangdut music elements. He then formed his band Soneta Group, achieving multitudes of musical successes with groundbreaking dangdut style which incorporates Western, Malay, and Bollywood influences.
From the late 1970s, he began transforming into more Islamic-oriented style, commanding the religiously pious popular music culture. During the height of his stardom in the 1970s, he was dubbed "Raja Dangdut" ("the King of Dangdut") with his Soneta Group.



Thursday, September 27, 2012

Beat Diggin' Documentary with Godfather Don, Showbiz, Diamond D, Evil D, Mr Walt




Beat 'Diggin, sebuah film dokumenter 30 menit yang dibikin tahun 1997, menjelang akhir dari apa yang kini dianggap sebagai era keemasan hip hop. Sedap buat para sejarawan hip hop dan Beat Diggers.
Diamond D (D.I.T.C)
Mr. Walt (Beatminerz)
Showbiz (D.I.T.C)
Evil D (Beatminerz)
Godfather Don
Paul Lepe

Saturday, September 22, 2012

Penampilan Jam Master Jay di TVRI Tahun 1986

TV Series That First Introduced Me to Jam Master Jay in 1986



Setelah berusaha mencari-cari, ternyata sampai sejauh ini belum satupun arsip video serial sit-com "Better Days" berhasil ditemukan di internet. Hanya ulasan ulasan produksi di Wikipedia dan IMDb, itupun setelah beberapa tahun berselang setelah sebelumnya mencari cari tanpa hasil (artikel Wikipedia tentang film ini di buat tahun 2012, dan artikel IMDb tahun 2006). padahal besar sekali hasrat untuk menonton Better Days episode Run DMC  , untuk bernostalgia dan mengenang almarhum Jam Master Jay  dan sekedar mengoleksi footage video nya.

Better Days adalah sebuah film seri televisi 11 episode produksi Lorimar Telepictures dan Magnum/Thunder Road yang pernah ditayangkan TVRI disekitar tahun 1986. Saya lupa setiap hari apa seri ini ditayangkan, yang jelas sitcom ini menjadi satu satunya menu favorit di TVRI buat saya yang saat itu duduk di kelas 3 SMP. 

Kegilaan saya terhadap Afro-American, Funk, Ghetto, Street Gangs, bahkan Voodoo, sedikit terpenuhi oleh film ini. Tempat-tempat seperti Brooklyn dan Bronx, memang sangat mengobsesi saya saat itu (sampai sekarang). Film ini menceritakan Brian McGuire (Raphael Sbarge), seorang remaja Los Angeles California yang terpaksa harus pindah dan tinggal dengan kakeknya, Harry di Brooklyn, New York untuk mengatasi masalah keuangan orangtuanya. Brian tentu saja mengalami kesulitan untuk menyesuaikan diri dengan lingkungan barunya. Lalu Brian berkenalan dan akrab dengan Luther Kain dan Anthony "The Snake" Johnson, dua rekan kulit hitam di tim basket SMA Braxton. Banyak joke rasial yang dikemas sangat "hip hop" dalam film ini.

Film ini menjadi sebuah pencerahan buat saya, karena di kota Sukabumi dimana saya tinggal, sangat sulit untuk mendapatkan informasi apapun tentang "black thangs" dan hip hop culture. Tidak ada toko buku atau rekaman yang menyediakan "kebutuhan khusus" itu. Kecenderungan lingkungan sekeliling yang "ta'at" akan kehendak industri dan latah  terhadap trend,  juga turut andil dalam sulitnya mendapat informasi tentang black culture.

Pada salah satu episode nya, Better Days menghadirkan Run DMC sebagai bintang tamu.   Tidak bisa terlukiskan betapa girang hati ini. Dalam episode itu memang hanya Joseph "Run" Simmons lah yang tampil paling lama, namun figur Jam Master Jay sebagai Beat Maker sangat mengobsesi saya. 

Episode ini lah yang memperkenalkan seorang bocah Sukabumi pada seorang Jam Master Jay di tahun 1986, dan semakin menguatkan cita-cita nya untuk menjadi seorang DJ, Beatmaker dan Producer.

Goldmine Grading Standard


Grading:

Mint (M) Absolutely perfect in every way. Certainly never been played, possibly even still sealed.(More on still sealed under "Other Considerations"). Should be used sparingly as a grade, If at all.

Near Mint (NM or M-) A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly)that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

Very Good Plus (VG+) Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

Very Good (VG) Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.

With Still Sealed (SS) records, let the buyer beware! Unless it'a a U.S. pressing from the last 10-15 years or so. It's too easy to reseal one. Yes, some legitimately never-opened LP's from the 1960's still exist. But if you're looking for a specific pressing, the only way you can know for sure is to open the record. Also, European Imports are not factory-sealed, so if you see them advertised as sealed, someone other than the manufacturer sealed them. 


Goldmine Grading Standard:

Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all. 


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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap. 

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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable. 
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. 
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it. 
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Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.

Sunday, December 28, 2008

Vagetoz ( Sony Music Indonesia )

Album: Sesuatu Yang Beda
2007Photography & Graphic Design By Kassaf

Ide awal, saya berfikir sebuah panggung puppet show, namun kali ini, meskipun memakai kamera digital, ada keinginan untuk mengembalikan "roh" fotografi dengan meminimalkan manipulasi komputer pada fotonya. Dengan tone asli dari kamera Infrared (tanpa di olah warna) saya berusaha mendapatkan image emo dan sedikit goth dalam nuansa fotonya.
Sempat shock dengan konsep ini, tapi Vagetoz akhirnya setuju untuk digantung beneran, sekalian refreshing setelah menjalani proses recording yang melelahkan. Foto ini dibuat dengan memakai kamera Infra Red untuk mendapatkan kesan puppet nya.